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Giovanni Battista Tiepolo Mandolin played the young woman oil painting


Mandolin played the young woman
Painting ID::  62181
Giovanni Battista Tiepolo
Mandolin played the young woman
mk280 Oil on canvas 92.1 x 74.9cm

   
   
     

Giovanni Battista Tiepolo Alexander in the studio oil painting


Alexander in the studio
Painting ID::  62182
Giovanni Battista Tiepolo
Alexander in the studio
mk280 Oil on canvas 57.4 x 84.2cm

   
   
     

Giovanni Battista Tiepolo Pilgrims son oil painting


Pilgrims son
Painting ID::  62183
Giovanni Battista Tiepolo
Pilgrims son
mk280 Oil on canvas 228 x 160cm

   
   
     

Giovanni Battista Tiepolo Opening time the truth oil painting


Opening time the truth
Painting ID::  62184
Giovanni Battista Tiepolo
Opening time the truth
mk290 Oil on canvas 231 x 167cm

   
   
     

Giovanni Battista Tiepolo NA ER where more and Amida in the garden oil painting


NA ER where more and Amida in the garden
Painting ID::  62185
Giovanni Battista Tiepolo
NA ER where more and Amida in the garden
mk280 Oil on canvas 186.8 x 259.9cm

   
   
     

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     Giovanni Battista Tiepolo
     Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.

     Related Artists::.
     | Leon Cogniet | Friedrich Heinrich Fuger | Palmer, Pauline |


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